Anne Imhof, Dancing in the Ruins

LOS ANGELES — As was preordained, the opening night of Anne Imhof’s “Emo” at Sprüth Magers, the German artist’s largest exhibition to date in the United States, was a disaster. A charcoal gray pickup had apparently careened off Wilshire Boulevard — past the 10 chunks of Berlin Wall on permanent display outside the 5900 Wilshire…

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